Anagram & Information om | Engelska ordet ULRICA

Exempel på hur man kan använda ULRICA i en mening

• Ulrika Eleonora or Ulrica Eleanor (23 January 1688 – 24 November 1741), known as Ulrika Eleonora the Younger, reigned as Queen of Sweden from 5 December 1718 until her abdication on 29 February 1720 in favour of her husband Frederick.
• The name Ulrike is a Danish version of the name; in Swedish she is called Ulrika Eleonora den äldre (English: Ulrica Eleanor the Elder), to distinguish her from her daughter, the future queen regnant.
• Other roles at the Met include Azucena in Il Trovatore, Ulrica in Un Ballo in Maschera, Eboli in Don Carlo, and Fricka in Die Walküre (1993 Japan tour under James Levine).
• Verrett's mezzo roles included Cassandra and Didon in Berlioz' Les Troyens, including its Met premiere, when she sang both roles in the same performance, Verdi's Ulrica in Un ballo in maschera, Amneris in Aida, Eboli in Don Carlo and Azucena in Il trovatore, Donizetti's Elisabetta I (written as a soprano role) in Maria Stuarda and Leonora in La favorita, Orfeo in Gluck's Orfeo ed Euridice, and Rossinis Neocles in L'assedio di Corinto and Sinaide in Moïse.
• Her roles included Adalgisa, Amneris in Aida, Auntie in Peter Grimes, Azucena, Death in Le Rossignol, Erda in Das Rheingold and Siegfried, Filippyevna in Eugene Onegin, the First Norn in Götterdämmerung, Frugola in Il tabarro, Geneviève in Pelléas et Mélisande, Gertrud in Hansel and Gretel, the Grandmother in Jenůfa, Leocadia Begbick in Rise and Fall of the City of Mahagonny, Madelon in Andrea Chénier, Mamma Lucia in Cavalleria Rusticana, Marthe in Faust, Mary in Der fliegende Holländer, Mistress Quickly in Falstaff, the Nurse in Boris Godunov, the Princess in Suor Angelica, Teresa in La Sonnambula, Ulrica in Un ballo in maschera, the Witch in Hansel and Gretel, and Zita in Gianni Schicchi among others.
• Although Rankin made appearances with several major companies throughout her career, she spent most of her time in New York City performing at the Metropolitan Opera between 1951 and 1976; there she sang the role of Carmen, the Princess di Bouillon in Cilea's Adriana Lecouvreur, Madelon in Giordano's Andrea Chénier, Santuzza in Mascagni's Cavalleria rusticana, Marina in Mussorgsky's Boris Godunov (in English), Giulietta in Offenbach's Les Contes d'Hoffmann, Herodias in Richard Strauss's Salome, Maddalena in Verdi's Rigoletto, Azucena in Verdi's Il trovatore, Princess Eboli in Verdi's Don Carlo, Ulrica in Verdi's Un ballo in maschera, Brangäne in Wagner's Tristan und Isolde, Gutrune in Wagner's Götterdämmerung, Fricka in Wagner's Die Walküre and Ortrud in Wagner's Lohengrin among others.
• Ulrica Messing (born 31 January 1968 in Hällefors) is a Swedish politician and civil servant who has served as Governor of Blekinge County since 2021.
• The King had given Countess Ulrica Catharina Stromberg the task to investigate this, and she was told by the chamber madame of Sophia Magdalena, Charlotta Hellman, that: "information, which were dubious, especially since the clearest evidence could be gathered from the linen of the Queen".
• Due to the rarity of true contraltos, usually mezzo-sopranos with strong low extension are employed instead in roles such as "Ulrica" in Verdi's Un ballo in maschera.
• Some of the many roles she appeared in on the Met stage were Azucena in Il trovatore, Brangäne in Tristan und Isolde, Dalila in Samson and Delilah, Emilia in Otello, Erda in Siegfried, Fidès in Le prophète, both Flosshilde and Waltraute in Götterdämmerung, both Fricka and Schwertleite in Die Walküre, Laura in La Gioconda, Lola in Cavalleria rusticana, Maddalena in Rigoletto, Magdalene in Die Meistersinger von Nürnberg, Marguerite in La dame blanche, both Marta and Pantalis in Mefistofele, Mistress Quickly in Falstaff, Nancy in Martha, Naoia in Frederick Converse's The Pipe of Desire, Orfeo in Orfeo ed Euridice, Ortrud in Lohengrin, the Second Lady in The Magic Flute, Siebel in Faust, Urbain in Les Huguenots, Ulrica in Un ballo in maschera, Venus in Tannhäuser, and the Witch in Hansel and Gretel.
• She went on to sing there in Aida, Il trovatore, La Gioconda, Boris Godunov (as Marina Mnichek), Un ballo in maschera (as Ulrica), Rusalka (as Jezibaba) and Adriana Lecouvreur (as the Principessa di Bouillon), with her last performance there, in 1997.
• She then alternated her signature roles with the ones that would become the landmarks of her new repertoire: La Cieca in La Gioconda (Verona, Barcelona), Madame Flora in Menotti's Medium (Paris, Catania), Zia Principessa in Suor Angelica (Nice, Madrid, Bilbao, Lisbon), La Marquise de Berkenfield in La Fille du Regiment (Torino, Oviedo, Madrid, Monte-Carlo, Strasbourg), Anaide in Leoncavallo's Zaza (Palermo), Ulrica in Un Ballo in maschera (Barcelona, Genova), Madame de Croissy in "Les Dialogues des Carmelites" (Avignon, Vichy), Quickly in "Falstaff" (Bordeaux, Buenos Aires, Hamburg).
• Charlotte Eckerman was, alongside Ulrica Rosenlund, much recommended for her dramatic talent and belonged to the members of staff in the first national Opera, who proved their talent not only as singers, but also as actors in talking parts, the theatrical performances that were sometimes given at the opera before the opening of the royal theatre in 1788.
• During the series, several people appeared in guest roles, amongst which were Bengt Bauler (who played a lawyer), Ebba Wickman (playing Kitty's lost daughter, Texas), Wallis Grahn (playing Dagny Karlsson), Anna Ulrica Ericsson (playing police officer Ursula Storrylinen) and Stig Engström (playing Dr Hejnum, Per Björn's doctor).
• Previously, only women professional artists had been elected, but in 1795, Alströmer was elected with Christina Fredenheim and Anna Brita Wendelius, followed in 1801 by Sophia and Emilie Brandel, Ulrica Bouck and Marie Antoinette Petersén, all dilettantes.
• In 2008, Malin Pettersson, Ulrica Pettersson, and Adde Norlin debuted a new band called Tales of Origin.
• Her principal roles were: Micah (Samson), Arsace (Semiramide), Amneris (Aida), Azucena (Il trovatore), Ulrica (Un ballo in maschera), Eboli (Don Carlos), the title role in Carmen, Frugola, Principessa, Zita, (Il trittico), Lucretia (The Rape of Lucretia), Mistress Quickly (Falstaff), Sesto (La clemenza di Tito), Caesar (Julius Caesar), Orpheus (Orpheus), Mrs Sedley (Peter Grimes), and Anna and Dido (Les Troyens), Bradamante (Alcina), and Judith Bluebeard's Castle, Delilah (Samson and Delilah), Fricka (Die Walküre), Erda (Siegfried), and the Ice Queen (Schwanda the Bagpiper).
• She was committed to the San Francisco Opera between 1944 and 1947, portraying such parts as Amneris, Azucena, Brangäne, Fricka, Geneviève, Herodias, La Cieca, Mistress Quickly, Ortrud, Ulrica, and the Nurse in Boris Godunov.
• Nancy Edberg was born on 12 November 1832 in Ytterjärna, Södermanland, to Johanna Ulrica Edberg and Theodor Berg, a ticket-collector.
• Artists represented by work in the collection include Klaus Moje, Gerry King and Nick Mount of Australia; Paul Sanders of Australia ;Louis Leloup of Belgium; Václav Ciglar, František Janák, Jiří Harcuba, Pavel Hlava, Stanislav Libenský and Jaroslava Brychtová and René Roubíček of the Czech Republic; Eva Engström, Finn Lynggaard and Tchai Munch of Denmark; Ivo Lill of Estonia; Erwin Eisch, Ursula Merker, Gerhard Ribka, Kurt Wallstab and Ann Wolff of Germany; Ursula Huber-Peer, Pino Signoretto, Bruno Pedrosa and Lino Tagliapietra of Italy; Durk Valkema and Sybren Valkema of the Netherlands; Anna Carlgren, Gunnar Cyrén, Eva Englund, Göran Wärff and Ulrica Hydman-Vallien of Sweden, Charles Bray and David Reekie of the United Kingdom; and Rick Beck, Gary Beecham, William Bernstein, Katharine Bernstein, Nicole Chesney, Dale Chihuly, Fritz Dreisbach, Shane Fero, Robert Fritz, Michael Glancy, Richard Jolley, Jon Kuhn, Marvin Lipofsky, Harvey Littleton, John Littleton/Kate Vogel, Dante Marioni, Richard Marquis, Joel Philip Myers, Mary Shaffer, Paul Stankard, Michael Taylor and Toots Zynsky of the United States.

Förberedelsen av sidan tog: 196,35 ms.