Information om | Engelska ordet VAUDEVILLES

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• They included farces, tightrope acts, acrobatics, and marionettes, and also included music, such as vaudevilles and popular songs.
• As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront.
• He wrote Le diable à quatre, set mainly to vaudevilles with additional music by Philidor, Laruette and Baurans.
• 1921-22 Good Mood: Seraphin or the Naked Legs (Belle Humeur: Seraphin ou les jambes nues) - 1921 (vaudevilles - 5 films).
• Esprit Philippe Chédeville – Recueils de vaudevilles, menuets, contredanses et autres airs choisis pour la musette (Paris).
• In collaboration with different dramatists he had meanwhile written a long series of successful vaudevilles, which began with the Monsieur bien mis at the Théâtre des Folies-Dramatiques in 1856.
• Nicodème dans la lune, ou la Révolution pacifique, folie en prose et en 3 actes, mêlée d'ariettes et de vaudevilles.
• Théophile Marion Dumersan (4 January 1780, Plou, Cher – 13 April 1849, Paris) was a French writer of plays, vaudevilles, poetry, novels, chanson collections, librettos, and novels, as well as a numismatist and curator attached to the Cabinet des médailles et antiques of the Bibliothèque royale.
• He wrote more than 200 successful plays, comedies, comédies en vaudevilles and texts for opéras comiques, in collaboration with diverse authors - Brazier, Dumersan, Mélesville, de Courcy, etc.
• 1817: L'Heureuse Moisson, ou le Spéculateur en défaut, one-act comédie en vaudevilles mingled with couplets by Jean-Toussaint Merle, Pierre Carmouche and Frédéric de Courcy, Théâtre de la Porte-Saint-Martin, (September).
• Le peintre marked an important stage in the development of opéra comique, since its musical numbers were almost entirely original music, whereas previous opéras comiques employed either popular vaudevilles or ariettes appropriated from other works.
• The company first presented Italian opera by composers such as Giovanni Battista Pergolesi, Giuseppe Sarti, and Giovanni Paisiello and later French plays, vaudevilles, and opéras comiques, as well as symphonic concerts, and was especially famous for the quality of its orchestra and realistic stagings.
• Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles.
• 1777: Matroco, drame burlesque, in 4 acts and in verse, mingled with ariettes and comédies en vaudevilles, presented in front of their Majesties, Théâtre italien de Paris.
• 1792: Le Projet manqué, ou Arlequin taquin, parody of Lucretius, in 1 act, in prose and in vaudevilles, with Pierre-Yves Barré and Jean-Baptiste Radet, Théâtre du Vaudeville, 18 May.
• He then spent 7 months as a prisoner in the prison hulks at Plymouth and consoled himself by writing poetry and acting in a theatre he set up in the prison, putting on his own plays alongside tragedies and vaudevilles of the time.
• He was a keen theatre-goer, and in the 1850s he started writing librettos, mainly vaudevilles, later opéras comique, operas bouffes, operettas and ballets.
• La Girouette de Saint-Cloud, impromptu en 1 acte, en prose, mêlé de vaudevilles, Paris, Théâtre du Vaudeville, 23 brumaire an VIII (1799).
• Among the other noteworthy vaudevilles, librettos, and dramas of this versatile writer are the following: Les noces de diable (1862), Rocambole (1864), La jolie parfumeuse (1874), Espion du roi (1876), Le petit chaperon rouge (1885), Les femmes nerveuses (1888), La rieuse (1894), Le carillon (1897), Un soir d'hiver (1903) and Le jeu de l'amour et de la roulette (1905).
• The Cogniard brothers were two French brothers who worked as playwrights and theatre directors, producing an incalculable number of vaudevilles, reviews, féeries and operettas.

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