Definition & Betydelse | Engelska ordet VELVETS

Definition av VELVETS

1. böjningsform av velvet

Exempel på hur man kan använda VELVETS i en mening

• During the reign of Elizabeth I, ornately decorated Italian Renaissance fabrics, including brocades, velvets, and damask, began to be imported.
• "VVV" was the symbol by which Catanzaro's silk industry was known, identified for both its domestic and foreign markets, and iconic for the finest fabrication of silks, velvets, damasks, and brocades from the city.
• Silk noil is also blended or appended with heavier fabrics like velvets and satins to create varied textures.
• Wool, silver, felts, tea, candy, skins, velvets, silk, gold, carpets, musk, coral, borax, jade cups, salt came down from the north.
• Traditional materials include chiffon voile or cotton for the dress, and velvets and brocades for the waistcoat, coat, and jacket.
• The silks, the velvets, the linens, the knick-knacks and the wallpapers came from Martine, André Groult, and Iribe.
• In 1898, upon completion of the works, the interiors of the theater were richly decorated with drapes, velvets and gilded stuccos, creating an elegant and cozy atmosphere.
• Silk brocades and velvets in bold floral patterns based on pomegranate and thistle or artichoke motifs remained fashionable for those who could afford them, although they were often restricted to kirtles, undersleeves and doublets revealed beneath gowns of solid-coloured fabrics or monochromatic figured silks.
• Silk weaving was well established around the Mediterranean by the beginning of the 15th century, and figured silks, often silk velvets with silver-gilt wefts, are increasingly seen in Italian dress and in the dress of the wealthy throughout Europe.
• Wards made stiff felts, soft felts, men's straws, boys straw's, tweed caps, workmen's hats and children's cloth, velvets, and plush hats.
• The Jews of Vlorë were involved in trade and the city imported items from Europe and exported spices, leather, cotton fabrics, velvets, brocades and mohair from the Ottoman cities of Istanbul and Bursa.
• Marilyn McCully opined that the weeping woman works are related to the Mater Dolorosa, Our Lady of Sorrows stating, "In their essence as images of art, their emotional power lies in their origins among the painted wood, life-sized statues of the Madonna carried in Spain in religious processions, whose tears are jewels that sparkle as they run down their cheeks, and whose garments are real lace, velvets and silver - at once real and other worldly".
• Teas from any other place, or in any other ships or vessel, bohea, per pound, fifteen cents; souchong and other black teas, per pound, twenty-seven cents; hyson, per pound, fifty cents; other green teas, per pound, thirty cents; coffee, per pound, four cents; cocoa, per pound, one cent; loaf sugar, per pound, five cents; brown sugar, per pound, one and a half cent; other sugar, per pound, two and a half cents; candles of tallow, per pound, two cents; candles of wax or spermaceti, per pound, six cents; cheese, per pound, four cents; soap, per pound, two cents; pepper per pound, six cents; pimento, per pound, four cents; manufactured tobacco, per pound, six cents; snuff, per pound, ten cents; indigo, per pound, twenty-five cents; cotton, per pound, three cents; nails and spikes, per pound, one cent; bar and other lead, per pound, one cent; steel unwrought, per one hundred and twelve pounds, seventy-five cents; hemp, per one hundred and twelve pounds, fifty-four cents; cables, per one hundred and twelve pounds, one hundred cents; untarred cordage and yarn, per one hundred and twelve pounds, one hundred and fifty cents; twine and pack thread, per one hundred and twelve pounds, three hundred cents; salt, per bushel, twelve cents; malt, per bushel, ten cents; coal, per bushel, three cents; boots, per pair, fifty cents; shoes, slippers and goloshoes, made of leather, per pair, seven cents; shoes and slippers, made of silk or stuff, per pair, ten cents; wool and cotton cards, per dozen, fifty cents; playing cards, per pack, ten cents; all China ware, looking glasses, window and other glass, and all manufactures of glass (black quart bottles excepted) twelve and a half per centum ad valorem; marble, slate, and other stones, bricks, tiles, tables, mortars and other utensils of marble or slate, and generally all stone and earthen ware, blank books, writing paper, and wrapping paper, paper hangings, pasteboards, parchment and vellum, pictures and prints, painter's colors, including lampblack, except those commonly used in dyeing, gold, silver, and plated ware, gold and silver lace, jewellery and paste work, clocks and watches, shoe and knee buckles, grocery, (except the articles before enumerated) namely, cinnamon, cloves, mace, nutmegs, ginger, aniseed, currants, dates, figs, plums, prunes, raisins, sugar candy, oranges, lemons, limes, and generally all fruits and comfits, olives, capers, and pickles of every sort, oil, gunpowder, mustard in flour, ten per centum ad valorem; cabinet wares, buttons, saddles, gloves of leather, hats of beaver, felt, wool, or a mixture of any of them, military ready made, castings of iron, and slit and rolled iron, leather tanned or tawed, and all manufactures of which leather is the chief value, except such as herein otherwise rated, canes, walking sticks and whips, clothing ready made, brushes, anchors, all wares of tin, pewter, or copper, all or any of them, medicinal drugs, except those commonly used in dyeing, carpets and carpeting, all velvets, velverets, satins, and other wrought silks, cumbrics, muslins, muslincts, lawns, laces, gauzes, chintzes, and colored calicoes, and nankeens, seven and a half per centum ad valorem.
• Use of velvets, chiffons, satins, tulles and lace with sharply angled hemlines and layered skirting became the label's trademark style.
• Surface couching replaced underside couching, and allover embroidery was replaced by individual motifs worked on linen and then applied to figured silks or silk velvets.
• The company was incorporated in 1896/7, when it was spinning medium counts and weaving fancies such as Jacquards, sateens, drillettes and velvets.
• Malcolm Hall (born Malcolm Halter, on 14 December 1947), is a British fashion designer, known for his flamboyant, tailored suits in velvets, satins, silks and brocades.

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