Synonymer & Information om | Engelska ordet VIOLONE

Exempel på hur man kan använda VIOLONE i en mening

• Although treble, tenor and bass were most commonly used, viols came in different sizes, including pardessus (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called violone).
• Opus 5: 12 Suonati a violino e violone o cimbalo (6 sonate da chiesa and 6 sonate da camera for violin and continuo) (Rome 1700) The last sonata is a set of variations on La Folia.
• One player plays the bass line on a bass instrument such as a bass viol, violone, violoncello, or bassoon.
• Instrumentation: two corni da caccia (natural horns), three oboes, bassoon, violino piccolo, two violins, viola and basso continuo (harpsichord, cello, viola da gamba and/or violone).
• In 1709 in Prague, Zelenka served Baron von Johann Hubert von Hartig before his appointment as a violone player in Dresden's royal orchestra.
• In modern parlance, one usually tries to clarify the 'type' of violone by adding a qualifier based on the tuning (such as "G violone" or "D violone") or on geography (such as "Viennese violone"), or by using other terms that have a more precise connotation (such as "bass violin", "violoncello", or "bass viol").
• Ad cocentus o mortales ad triumphos – SSATTB, 2 violins, 3 violas, 2 cornetts, 2 clarini, 4 trombones, violone, bc.
• An additional autograph flauto traverso part indicates at another performance between 1736–1740, an autograph violone part a performance after 1745.
• The Italian edition was published at the same time, with the title Glose sopra le cadenze et altre sorte de punti in la musica del violone.
• Yann Tiersen – accordion, alto saxophone, banjo, bass, Bontempi, carillon, cello, clavecin, double bass, drums, ebow, Fender Rhodes, guitar, Korg synthesizer, mandolin, marimba, melodica, organ, percussion, piano, toy piano, vibraphone, violone.
• Andrew Lawrence-King (Irish harps, renaissance harp, French cittern, psaltery), with Caitríona O'Leary (voice, hurdy-gurdy), Nigel Rogers (tenor), with Steve Player as The Frenchman & the Jovial Crew; David Douglass (violin), Nancy Hadden (flute, recorder, gittern), Belinda Sykes (alto shawm, Renaissance bagpipes), Hille Perl (viola da gamba, lyra viol, violone, gittern); Lucy Carolan (harpsichord), Pat O'Brien (bandora, guitar), Paul O'Dette (theorbo, cittern, guitar), Steve Player (dancer, gittern, French cittern, guitar, whistle, drone pipes), Pedro Estevan (percussion).
• Collegium Vocale Köln; Gianrico Tedeschi, narrator; Colin Tilney, harpsichord; Pere Ros, viola da gamba and violone.
• The entire performance was elaborately orchestrated, with the singers variously accompanied by harpsichord, nightingale stop on the organ, bass viol, cornett, crumhorns, flutes, violin, violone, and a quartet of trombones; during the finale, 20 bacchantes, mostly drunk and consisting of ladies and satyrs, were to come on stage singing and playing pipe, tabor, violin, harp, cornetts, crumhorns, and tambourine, and the performance closed with entrance and song by the personification of Night, accompanied by four trombones.
• mit Fiorenza di Donatis and Andrea Rognoni, violins; Mauro Valli, cello; Daniele Caminiti, theorbo; Margit Übellacker, dulcimer; Naoki Kitaya, harpsichord; Vanni Moretto, violone; Brigitte Gasser, lirone u.
• Heinrich Schütz set the psalm in German twice, in 1619 as his SWV 48, "Siehe, wie fein und lieblich ist's", for two sopranos, alto, tenor, bass, cornett, violin, violone and continuo, and again for choir as part of his setting of the Becker Psalter as SWV 238, "Wie ist's so fein, lieblich und schön" (How it is so fine, lovely and beautiful).
• The cantata is scored for soprano, flauto traverso, oboe d'amore, two violins, viola, violone, and harpsichord continuo.
• The cantata in ten movements is probably scored as the surviving , for soprano, flauto traverso, oboe d'amore, two violins, viola, and basso continuo with violone and harpsichord.
• Arie, Gighe, Balletti, Correnti, Allemande, e Sarabande a violino, e violone, ò spinetta con il secondo violino à beneplacito.
• The members of the group perform on instruments built between about 1600 and 1750, or replicas thereof, including instruments not in common use today, such as the theorbo, the violone, the sackbut, wooden one-keyed flutes, valveless trumpets, and the harpsichord.

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