Information om | Engelska ordet APELLES

Exempel på hur man kan använda APELLES i en mening

• Degree of Loyalty - In the Degree of Loyalty, the dramatic work revolved around the following characters: Apelles, Mattathias, Matthathias's four sons, Judas, Soldiers, while the candidate, Sentinel, and a Knight took the parts of Jewish peasants.
• She also modeled for the artists Apelles and Praxiteles: the Aphrodite of Knidos was said to be based on her.
• Apelles also wrote several books entitled Syllogisms, in which he attempted to show the falsity of various passages in the Pentateuch regarding God.
• Eupompus was succeeded as head of the Sicyonic school by Pamphilus of Amphipolis, teacher of Apelles.
• The journal's name refers to the school's motto Nulla Dies Sine Linea or "No Day Without a Line", traditionally attributed to the Greek painter Apelles by the historian Pliny the Elder, who recorded that Apelles would not let a day pass without at least drawing a line to practice his art.
• Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio Lombardo from Wilton House (Victoria and Albert Museum).
• In 1819, the painting Générosité d'Alexandre, by Jérôme-Martin Langlois depicted the scene where Alexander the Great gifted Campaspe to Apelles.
• Eusebius, upon whom modern historians depend exclusively for our knowledge of Rhodo, quotes some passages from the latter work, in one of which an account is given of the Marcionite Apelles.
• Amongst them is the often reprinted Cupid and my Campaspe, sung by the love-struck Apelles at the end of Act 3, in which he describes Cupid gambling away parts of himself:.
• Megaleas was entirely under the influence of the advisor Apelles, and readily entered into his treasonable designs (218 BC), to baffle the operations of Philip in his war against the Aetolians.
• This is taken both as evidence of Botticelli's collaboration with Humanist advisors with the full classical education that he lacked, and his keenness to recreate the lost wonders of ancient painting, a theme in the interpretation of several of his secular works, most clearly in the Calumny of Apelles, which also uses Lucian.
• By doing so he followed an existing tradition already seen in Dominicus Lampsonius' 1572 Pictorum aliquot celebrium Germaniae Inferioris effigies and the Antwerp painter and rederijker Alexander van Fornenbergh's 1658 Antwerpschen Proteus ofte Cyclopschen Apelles, which sang the praises of the painter Quinten Matsys.
• Theatrum honoris in quo nostri Apelles saeculi, seu pictorum, qui patrum nostrorum memoria vixerunt, celebriorum pracipue quos Belgium tulit, verae et advivum expressae imagines in aes incisae exhibeniur, Amsterdam, 1612, 1618.
• Of the previously enviable selection reflecting high Renaissance practices which included the likes of Correggio, Parmigianino, Giulio Romano, Perino del Vaga, the Carracci brothers, Botticelli's Calumny of Apelles, and a Judgement of Solomon by the workshop of Mantegna, only 700 remain.
• Spranger may have been instrumental in the purchase of van Winghe's painting Apelles paints Campaspe before Alexander for the imperial collection and a series of twelve apostles designed by him, which was dedicated to Archbishop Berka in Prague.
• Other works included in that view are Women at her toilet by Jan van Eyck, a still life by Frans Snyders, Ceres Mocked by Adam Elsheimer, Danaë by Van Haecht, Battle of the Amazons and a portrait by Peter Paul Rubens, Peasant Company with Woman making Pancakes by Pieter Aertsen, Apelles by Jan Wierix and a hunting scene by Jan Wildens.
• On 19 October 1810 Apelles captured the French privateer Somnambule (or Somnus), of 18 guns and 56 men, off Dieppe.
• Van der Geest celebrated the hundredth anniversary of Matsys' death by having his bones re-interred in the Antwerp Cathedral with the inscription Connubial bliss turned a blacksmith into Apelles.
• In late 1611, the Jesuit Christoph Scheiner, a mathematics teacher at Ingolstadt, using the pseudonym Apelles latens post tabulam (Apelles hiding behind the painting), wrote three letters to Welser, claiming the discovery of sunspots.
• Apelles argues that the spots are not in any of the 'orbs' of the Moon, Venus or Mercury; but according to Galileo these 'orbs', like deferents and epicycles, were only theoretical devices of 'pure astronomers' and not actual physical entities.

Förberedelsen av sidan tog: 135,03 ms.