Anagram & Information om | Engelska ordet MOSSO

Exempel på hur man kan använda MOSSO i en mening

• Before the modern concept and notation of metric modulations composers used the terms doppio piu mosso and doppio piu lento for double and half-speed, and later markings such as:.
• The second movement, Adagio un poco mosso, is a nocturne that directly builds into the third movement.
• After the third time the chords are repeated, a continual accelerando passes through allegretto and allegro sections to a piu mosso section.
• 289 the allegro fantastico motif succeeds over the meno mosso theme, and a passage built over this motif begins, creating increasing tension.
• This is followed by a moderato section in C major and eventually meno mosso which slowly modulates from A major to C major to B major and finally goes to the original tempo in B major.
• The composer also employs comic elements, such as a "tipsy" middle section in the second dance, in which the ensemble abruptly slows from a lively vivace to meno mosso (quarter note = 112), whereupon a single bassoon plays a plodding solo marked by upward and downward slides, or glissandi, as well as staggering, syncopated rhythms.
• Mosso Santa Maria, Alloro, Bellaria, Bogino, Boschi, Brughiera, Buccio, Canova, Capomosso, Case Forno, Cerate, Crolle, Fantone, Ferchiani, Frieri, Garbaccio, Gianolio, Gili, Maioli, Marchetto, Mina, Mongiachero, Ometre, Oretto, Ormezzero, Piane, Quazza, Ramello, Ricca, Rivetto, Rolando, Sella, Sqisso, Taverna, Trabucco, Venalba;.
• ;I: Allegro assai – Poco meno mosso – A tempo, agitato – Poco meno mosso – Agitato poco a poco – Animato.
• Tema (allegro) – Interludio 1 – Variations 1–3 – Interludio 2 – Variation 4 – Reminiscenza (meno mosso) – Coda (poco sostenuto) – Più mosso.
• Violento – Calmo – Un poco mosso, ma sempre calmo – Molto più lento, trascinato – Ancora movendo – Molto mosso – Animato – Violento.
• The tempo marking is Molto sostenuto, and is sustained with only slight modifications (stringendo and ritardando) until the most dramatic section, marked Più mosso (faster) and later Allegro, returning to the initial tempo for the conclusion.
• The last movement, "Mountains", is—appropriate to its title—in an arched ABCBA form in which the sections are differentiated by tempo and expressive character: A is "Maestoso" and monumental, B is "Risoluto" and lively, and C is "Meno mosso" and atmospheric.
• Allegro con brio, ma non troppo presto — Andantino — Allegretto — Tempo I — Poco meno mosso (C major).
• The markings are as follows: Introduzione: Andante - Tema: Adagio - Variazione I: Piu mosso (Andante) - Variazione II: Piu mosso, animato, risoluto - Variazione III: Meno mosso (quasi il tempo del tema) - Variazione IV: Piu mosso, tempestuoso (Circa doppio movimento) - Variazione V: Adagio (mezzo movimento) - Fuga: Adagio ma non troppo - Coda: Andante maestoso - Alla marcia.

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