Definition, Betydelse, Synonymer & Anagram | Engelska ordet SEMIOTICS

Definition av SEMIOTICS

1. semiotik

Exempel på hur man kan använda SEMIOTICS i en mening

• His ideas laid a foundation for many significant developments in both linguistics and semiotics in the 20th century.
• In any of several fields of study that treat the use of signs—for example, in linguistics, logic, mathematics, semantics, semiotics, and philosophy of language—an intension is any property or quality connoted by a word, phrase, or another symbol.
• Meaning (psychology), epistemological position, in psychology as well as philosophy, linguistics, semiotics and sociology.
• In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter.
• In English, he is best known for his popular 1980 novel The Name of the Rose, a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as Foucault's Pendulum, his 1988 novel which touches on similar themes.
• In any of several fields of study that treat the use of signs — for example, in linguistics, logic, mathematics, semantics, semiotics, and philosophy of language — the extension of a concept, idea, or sign consists of the things to which it applies, in contrast with its comprehension or intension, which consists very roughly of the ideas, properties, or corresponding signs that are implied or suggested by the concept in question.
• Semiotic literary criticism, also called literary semiotics, is the approach to literary criticism informed by the theory of signs or semiotics.
• Walker Percy, OblSB (May 28, 1916 – May 10, 1990) was an American writer whose interests included philosophy and semiotics.
• In functional-cognitive linguistics, as well as in semiotics, iconicity is the conceived similarity or analogy between the form of a sign (linguistic or otherwise) and its meaning, as opposed to arbitrariness (which is typically assumed in structuralist, formalist and generative approaches to linguistics).
• He criticized the expansion and development of modern rationalism, finding Cartesian analysis and other types of reductionism impractical to human life, and he was an apologist for classical antiquity and the Renaissance humanities, in addition to being the first expositor of the fundamentals of social science and of semiotics.
• Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
• Invisible Cities is an example of Calvino's use of combinatory literature, and shows influences of semiotics and structuralism.
• Baudrillard's published work emerged as part of a generation of French thinkers including Gilles Deleuze, Jean-François Lyotard, Michel Foucault, Jacques Derrida, and Jacques Lacan who all shared an interest in semiotics, and he is often seen as a part of the post-structuralist philosophical school.
• in Literary Studies from Deakin University, Australia, with a dissertation (Frozen Music) comparing the semiotics of scientific, literary, and science fictional textuality.
• At the same time she did scholarly research on semiotics, poetics and the structural analysis of computer-accessible texts from an oral tradition—the tradition of Latvian folksongs.
• Along with Michel Callon, Madeleine Akrich, and John Law, Latour is one of the primary developers of actor–network theory (ANT), a constructionist approach influenced by the ethnomethodology of Harold Garfinkel, the generative semiotics of Algirdas Julien Greimas, and (more recently) the sociology of Émile Durkheim's rival Gabriel Tarde.
• Its conceptualization of critical practice is distinguished from theories that favor textual autonomy (for example, Formalism and New Criticism) as well as recent critical movements (for example, structuralism, semiotics, and deconstruction) due to its focus on the reader's interpretive activities.
• He studied art and semiotics at Brown University, where he directed his first short film Assassins: A Film Concerning Rimbaud (1985), inspired by the French poet Arthur Rimbaud (a personality Haynes would later reference in his film I'm Not There).
• The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923) presents the triadic theory of semiotics that depends upon psychological theory, and so anticipates the importance of psychology in the exercise of literary criticism.
• He is a Harvard University professor of Religious Iconology and Symbology (a fictional field related to the study of historic symbols, which is not methodologically connected to the actual discipline of semiotics).

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