Information om | Engelska ordet QUE

Exempel på hur man kan använda QUE i en mening

• Halley de l'utilité de cette période, mais il ne convient pas de même de son exactitude, ni que ce soit effectivement celle que les Chaldéens connoissoient sous le nom de Saros.
• Founded in 1899 by a group of Swiss, Catalan, German, and English footballers led by Joan Gamper, the club has become a symbol of Catalan culture and Catalanism, hence the motto "Més que un club" ("More than a club").
• La fundación de Ponce: estudio retrospectivo que comprende desde los asomos de vecindad europea en las riberas del Portugués, al terminar el siglo XVI, hasta el incendio casi total del pueblo de Ponce en febrero de 1820.
• She renounced the use of rhyme, and using talk-over sometimes, she recorded, with very little means and often on two tracks, songs which addressed topics with humour or gravity, according to the mood, as various as death ("Dommage que tu sois mort"), life ("L’été, l’été"), alienation ("Comme à la radio"), madness ("Ragilia"), love ("Je t’aimerai"), social injustice ("C’est normal"), the inequality of the sexes ("Patriarcat") and racism ("Y' a du lard").
• Charles avait remarqué depuis 15 ans la même propriété dans ces gaz; mais n'avant jamais publié ses résultats, c'est par le plus grand hasard que je les ai connus.
• She got prominence in Una familia de diez, playing Gabriela "Gaby" del Valle de López, Sortilegio, playing Lisette Albarrán and De que te quiero, te quiero, playing Karina Montiel, projects that marked her transition and artistic maturity.
• Martín Sarmiento – Reflexiones sobre el Diccionario de la lengua castellana que compuso la Real Academia en el año de 1726.
• Enrique Flórez – Clave historial con que se abre la puerta a la historia eclesiástica y política (Clavis Historiae).
• Jean du Vergier de Hauranne – Théologie familière, ou Instruction de ce que le Chrétien doit croire et faire en cette vie pour être sauvé.
• John Frampton – , translated from the 1565 Spanish edition of Nicolás Monardes' Historia medicinal de las cosas que se traen de nuestras Indias Occidentales.
• One German author claims the word "mask" is originally derived from the Spanish más que la cara (literally, "more than the face" or "added face"), which evolved to "máscara", while the Arabic "maskharat" – referring to the buffoonery which is possible only by disguising the face – would be based on these Spanish roots.
• Among the best-known stories are "¡Diles que no me maten!" ("Tell Them Not To Kill Me!"), a story about an old man, set to be executed, who is captured by order of a colonel, who happens to be the son of a man whom the condemned man had killed about forty years ago, the story contains echoes of the biblical Cain and Abel theme as well as themes critical to the Mexican Revolution such as land rights and land use; and "No oyes ladrar los perros" ("Don't You Hear the Dogs Barking(?)"), about a man carrying his estranged, adult, wounded son on his back to find a doctor.
• A life estate pur autre vie (Law French, "for the life of another") is held for the rest of the lifetime of a person who does not hold the estate, known as the cestui que vie (Law French, "the person who lives").
• El poeta que todo lo compone (The poet who composes everything): a poet who always find his verses almost ending in obscene words but replaces them with another one.
• La première partie présente un bref compte-rendu de sa part, tandis que les deux auteurs répondent en commun de la partie suivante dans laquelle ces observations sont appréciées et confrontées avec la littérature.
• Liber primus epigramatum que vulgo motetta dicuntur, containing 23 motets for 5, 6, or 8 voices (Rome: Valerio & Luigi Dorico, 1551).
• Among his works was the Treatise or The First European Description of Japan (1585) in which is contained some brief comparisons of the behaviors between the peoples of Europe and Japan (Tratado em que se contêm muito sucinta e abreviadamente algumas contradições e diferenças de costumes entre a gente de Europa e esta província de Japão).
• He applied for a blanket privilège du Roy in 1713 to allow him to publish 'plusiers pieces de musique de sa composition, tant pour la vocale que l'instrumental, conjointement ou séparément' and used it immediately to issue the first volume (out of four) of his harpsichord works, Pieces de clavecin.

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